Before working on a dissertation and at a full-time job, I might not have distinguished quite so readily between work/writing music and other music, though I’ve always had albums I loved to work or fall asleep to, such as Colleen’s Golden Morning Breaks and Brian Eno’s Apollo Soundtrack, respectively.
While I cannot say that working and writing have changed the kind of music I like, these realities have changed the way I listen and the time I can spend letting an album unfold its mysteries over time. Working 40-hour work weeks gives me patience, you might say. While I’m driving, walking, exercising, or just hanging around, I’m unlikely to pop on a sleepy album, which meant in the past that I got to listen to more subdued albums less frequently. I’m usually on the hunt for albums with a ton of energy.
But at work, my constant task-shifting and the need to think while reading admission applications or writing text for a publication has compelled me to spend more time with more ambient, quiet, contemplative albums than I have in a while. Or perhaps it simply is that being pinned to my desk as I am for so much time, I need musical accompaniment. Thanks to Lala.com, I’ve been able to listen to dozens of albums a day and get connected to many other listeners who work full-time jobs and need constant aural companionship.
So I attribute my being drawn to Keiran Hebden of Four Tet’s recent release, There Is Love in You, to the power of the office. I almost dismissed it out-of-hand after the first track, one of the least compelling on the album. But then I found my way to “Love Cry” and “This Unfolds,” the latter an apt title for a song that begins slowly and adds more layers, depth, and complexity as it builds, or unfolds, if you will.
And with that, back to working on my dissertation.
Four Tet, “Love Cry”
Four Tet, “This Unfolds”